From Kant onwards, the default position when thinking about aesthetic matters has been to start with one individual who appreciates or engages with one object, whether a work of art, an environment, or an everyday item. However, when aiming to grasp the role of aesthetic phenomena in human life, this perspective is insufficient. It overshadows how the significance of art and everyday aesthetic matters, for individuals and communities, evolve through shared histories of practice, where perceptual and creative skills arise from previous experiences and know-how.
The DN34 International Conference on Discourse, Identity and Polarisation
This hybrid conference provides an interdisciplinary space for examining how individual and group identities are discursively constructed in today's increasingly polarised societies, and how discourse both reflects and shapes emerging social divisions.